On BP&O No.188

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Reviewed on BP&O No.188

Exploratorium After Dark by Collins
Lumik by Hey
Maisonette by Lotta Nieminen Studio
The Best of BP&O — October 2017
BP&O Collections: Blind Embossing

Last week I took a look at Collins’ graphic identity and campaign for Exploratorium’s After Dark even, Hey’s work for lighting design and manufacturing business Lumik, and Lotta Nieman Studio’s brand identity for online retailer of children’s brands Maisonette. I also pulled together a post on some of the highlights of October and the best uses of blind embossing.

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On BP&O No.187

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Reviewed on BP&O No.187

Moriarty by Bond
Loyal Coffee by Mast
Planned living Architects by AFOM
Upated: TangentGC by Carl Nas Associates
BP&O Collections: Swing Tags

Last week I took a look at Bond’s brand identity for event planning business Moriarty, Mast’s work for Loyal Coffee, and A Friend Of Mine’s brand identity for Planned Living Architects. I also updated the article on TangentGC by Carl Nas Associates and pulled together a post on some of the best swing tags designs.

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On BP&O No.186

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On BP&O No.186

Reviewed on BP&O No.186

Volcano At Home by Commission
MOAA Architects by Inhouse
Jackalope Hotels by Fabio Ongarato Design
Updated: From Babies With Love
BP&O Collctions: Business Cards 16

Last week I took a look at Commission’s packaging for coffee brand Volcano At Home, Inhouses visual identity for MOAA Architects and Fabio Ongarato Design’s work for Jackalope Hotels. I also updated the article on From Babies With Love by Paul Belford and pulled together a post on some of the best business cards from the last few months.

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On BP&O No.185

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Reviewed on BP&O No.185

Raw Wine by The Counter Press
Helio by Bedow
Gustav Almestål by Bedow
BP&O Collctions: Photographers

Last week I took a look at The Counter Press’ brand identity for international wine fair Raw Wine, and Bedow’s work for Stockholm-based co-working space Helio and Swedish photographer Gustav Almestål. I also pulled together a post on some of the best branding work for photographers.

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On BP&O No.184

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Reviewed on BP&O No.184

Hands On: Folk+Form
Hands On: Real Review
Edition by South
Sakki by Bond
BP&O Collctions: Film Industry
BP&O Collections — Die Cutting

Last week I took a hands on look at Folk+Form by Snohetta and Real Review by OK–RM. I reviewed South’s visual identity for luxury property development Edition and Bond’s visual identity for Finnish student union Sakki. I also pulled together a post on some of the best branding and packaging work for the film industry, and those that effectively use die cutting.

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On BP&O No.183

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Reviewed on BP&O No.183

Hands On: Rain, Gravity, Heat, Cold by Blok
Kisumé by Fabio Ongarato Design
Agder Bryggeri by Frank
BP&O Collections — Beer

Last week I took a hands on look at Blok’s work on Rain, Gravity, Heat, Cold for architecture studio Superkül, I reviewed Fabio Ongarato Design’s visual identity for Japanese restaurant Kisumé and Frank’s packaging for Agder Bryggeri. I also pulled together a post on some of the best branding and packaging work for beer.

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On BP&O No.182

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Reviewed on BP&O No.182

The Broadview Hotel by Blok
Ekta Sketchbooks Vol. I–III by Lundgren+Lindqvist
Rain, Gravity, Heat, Cold by Blok
The Best of BP&O – August
BP&O Collections — Books

Last week I reviewed Blok’s visual identity for The Broadview Hotel and their work on Rain, Gravity, Heat, Cold for architecture studio Superkül. I also took a look at Lundgren+Lindqvist’s book Extra Skecthbooks for artist Daniel Götesson. I pulled together a post on some of the best branding and packaging work of August, and added to BP&O Collections with a sample of thoughtful book designs.

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On BP&O No.181

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Reviewed on BP&O No.181

NAU by Design By Toko
Talor&Jørgen Coffee by Bielke & Yang
Vestre Anniversary Book by Snøhetta
BP&O Collections — Illustration In Branding & Packaging

Last week I reviewed Toko’s visual identity for contemporary furniture design and manufacturing business NAU, bielke & Yang’s packaging for Talor&Jørgen, and Snøhetta’s work on Folk+Form, a book that intends to give life to furniture manufacturer Vestre’s family legacy. I also pulled together a post on some of the best branding and packaging work that utilises illustration.

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