On BP&O No.185

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Reviewed on BP&O No.185

Raw Wine by The Counter Press
Helio by Bedow
Gustav Almestål by Bedow
BP&O Collctions: Photographers

Last week I took a look at The Counter Press’ brand identity for international wine fair Raw Wine, and Bedow’s work for Stockholm-based co-working space Helio and Swedish photographer Gustav Almestål. I also pulled together a post on some of the best branding work for photographers.

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On BP&O No.184

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Reviewed on BP&O No.184

Hands On: Folk+Form
Hands On: Real Review
Edition by South
Sakki by Bond
BP&O Collctions: Film Industry
BP&O Collections — Die Cutting

Last week I took a hands on look at Folk+Form by Snohetta and Real Review by OK–RM. I reviewed South’s visual identity for luxury property development Edition and Bond’s visual identity for Finnish student union Sakki. I also pulled together a post on some of the best branding and packaging work for the film industry, and those that effectively use die cutting.

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On BP&O No.183

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Reviewed on BP&O No.183

Hands On: Rain, Gravity, Heat, Cold by Blok
Kisumé by Fabio Ongarato Design
Agder Bryggeri by Frank
BP&O Collections — Beer

Last week I took a hands on look at Blok’s work on Rain, Gravity, Heat, Cold for architecture studio Superkül, I reviewed Fabio Ongarato Design’s visual identity for Japanese restaurant Kisumé and Frank’s packaging for Agder Bryggeri. I also pulled together a post on some of the best branding and packaging work for beer.

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On BP&O No.182

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Reviewed on BP&O No.182

The Broadview Hotel by Blok
Ekta Sketchbooks Vol. I–III by Lundgren+Lindqvist
Rain, Gravity, Heat, Cold by Blok
The Best of BP&O – August
BP&O Collections — Books

Last week I reviewed Blok’s visual identity for The Broadview Hotel and their work on Rain, Gravity, Heat, Cold for architecture studio Superkül. I also took a look at Lundgren+Lindqvist’s book Extra Skecthbooks for artist Daniel Götesson. I pulled together a post on some of the best branding and packaging work of August, and added to BP&O Collections with a sample of thoughtful book designs.

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On BP&O No.181

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Reviewed on BP&O No.181

NAU by Design By Toko
Talor&Jørgen Coffee by Bielke & Yang
Vestre Anniversary Book by Snøhetta
BP&O Collections — Illustration In Branding & Packaging

Last week I reviewed Toko’s visual identity for contemporary furniture design and manufacturing business NAU, bielke & Yang’s packaging for Talor&Jørgen, and Snøhetta’s work on Folk+Form, a book that intends to give life to furniture manufacturer Vestre’s family legacy. I also pulled together a post on some of the best branding and packaging work that utilises illustration.

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On BP&O No.180

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Reviewed on BP&O No.180

Maven by Design By Toko
Campus by MultiAdaptor
Ki Sunscreen by Akin
Institute by Commission Studio
The Best of BP&O — July 2017
BP&O Collections — Best Awards Finalists 2017

Over the last week I reviewed a great new selection of projects. These included Toko’s visual identity for architecture recruiter and publisher Maven, MultiAdapter’s visual identity for Google’s start-up co-working hub Campus, Akin’s packaging for Ki Sunscreen and Commission Studio’s visual identity for Institute. I also pulled together posts on the best new work published on BP&O in July, and those projects reviewed on BP&O that made finalists in this years best Awards.

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On BP&O No.179

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Reviewed on BP&O No.179

Omakase Room by Tatsu by Savvy
The Living Food by Francesc Moret Studio
High Street Wine Co. by Conductor
Bundlelist by Bunch
Old Spike Coffee by Commission Studio
January Moon by Perky Bros

Over the last couple of weeks I reviewed a bunch of new projects for BP&O. These included Savvy’s work for restaurant Omakase Room, Francesc Moret Studio’s packaging for Living Food’s range of vegan cheeses, Commission Studio’s packaging for coffee roastery Old Spike, and Perky Bros visual identity for January Moon.

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On BP&O No.178

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On BP&O No.178

Reviewed on BP&O No.178

Carlsberg Black Gold by Kontrapunkt
Kosmopolis by Hey
Pepe Raventós Natural Wines by Mucho
Don Alonso de Suquía by Bermudez, Porta & Casasus

Last week on BP&O I reviewed Kontrapunkt’s packaging for Carlsberg’s Black Gold, Hey’s visual identity for literature festival Kosmopolis, Mucho’s labels for vintner Pepe Raventós natural wines, and Bermudez, Casasus & Porta’s limited edition book cover for A. Lozano Rodríguez’s novella Don Alonso de Suquía.

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