LogoArchive celebrates the form language of the symbol of the mid-century. It began as an Instagram account and is now a series of sell out zines.
The first edition of LogoArchive was conceived, designed and sent to the printers for quotation within a day. It was inspired by a panel discussion that took place the day before at Somerset House as part of the exhibition Print! Tearing It Up. Today’s zine format and the revival of the independent publishing spirit of the past is an opportunity to further the practice of research, archival and dissemination beyond the book. A chance to investigate the potential of both individual object and its context within an ongoing project.
The book is an artefact shaped by the conditions of its time. These can be visible—intentional and apparent on the surface—and invisible, only revealed in the passage of time. LogoArchive is acutely aware of this temporality. So, alongside the documentation of the symbols of the past, the zine has always sought to introduce an element of the present into its content and materiality. Issue 6 leans further into this, allowing the context of an unprecedented pandemic of our times to impose itself and give new meaning and form to old things.
Editor/Designer: Richard Baird
Format: 12pp Booklet
Paper: Colorplan Lockwood Green
Print: HP Indigo White
Binding: White Staples
New financial pressures and the limited economic means of the editor due to the pandemic sees this new issue downsized and its numbers reduced. However, this imposition sees two new elements introduced, alongside more logos. Firstly, a new feature called Logo Stories, brought over from the Instagram account. And secondly, a participatory role, offering donations on the sale of each issue to The World Health Organisation who are leading and coordinating the global effort to prevent, detect and respond to the ongoing threat of COVID-19.
LogoArchive reconfigures the familiar format of a logo book into an ongoing series of zines. Its intention was to acknowledge and further the relationship designers have with the symbols of the past, offering an alternative that moves away from a book-form, project-based and inspirational utility towards technique and design craft. Fewer logos, a high-quality and unexpected materiality and an ongoing and recurring release schedule is central to this intention, and further, is in opposition to the passivity fostered by social media platforms, as well as seeking a more involved relationship with the symbols featured.
In a break from format, which usually sees the numbered issues printed on Colorplan Ebony, Issue 6 is printed on Colorplan Lockwood and bound with white staples. This augments the theme of trees and leaves and avoids the potentially somber qualities of black. Nature’s rejuvenation in our absence, and the desire to return to nature after a prolonged lock-down becomes the subtext of this issue. It offers a hopeful outlook and metaphorical view to the future whilst also reminding us of the precarious balance between nature and human activity.
Notices to wash our hands, to stay at home and to keep our distance, accompanied by pictographs, remind us of the critical importance and enduring power of symbols and the value of semiotics to the diverse multi-cultural communities of today. Where words may fail us, symbols and the commonality of the human form unite us in common actions to reach a shared goal. With this in mind, and again allowing current conditions to shape the design of the issue, symbols of the past are given new meaning, the zine becomes a surface to remind us of our civic responsibilities, and perhaps offer a bit of joy in tough times.
LogoArchive Issue 6 is a 12pp booklet printed by With Print using five passes of a digital white on Colorplan Lockwood Green bound with white staples. It was available as a limited release of 300 with a £1 donation on the sale of each issue going to the World Health Organisation.